Wednesday, September 13, 2023

Women : Folk : Japan | 7-10 PM EDT

 


TONIGHT on WFMU's Give the Drummer Radio: An all-vinyl celebration of more than half-a-dozen folk-forward singer-songwriters, from traditionalists like Keiko Hanawa and Mayumi Itsuwa to avant-garde legends Sai Yoshiko and Maki Asakawa.


Wednesday, September 6, 2023

Musician of the Generations: Mohamed Abdel Wahab

TONIGHT from 7-10 PM EDT on WFMU's Give the Drummer Radio: So fierce was singer, musician, and composer Mohamed Abdel Wahab, Egyptian diva Oum Kalthoum refused for decades to work with him, fearing he’d upstage her. When the two finally collaborated, they produced several of Kalthoum’s greatest songs, including Enta Omri, Fakarouni, and Laylet Hob. This tribute focuses on rare 45s, LPs, and cassettes of Abdel Wahab’s own recordings, with a few covers and songs written for others woven in.

Monday, September 4, 2023

Yas Khedr (1938-2023) | Two Cassettes

 Admonitions & Mawawil (Date Unknown)


We woke early this morning to the news that Iraqi singer Yas Khedr passed away in mid-August. Blessed with powerful and expressive voice, Khedr began as a reciter of the Koran and in the 60s released a string of hit 45s, including "Al-Hadal," "Abu Zarka," and "Al-Mukair." Dubbed the Voice of the Earth, Khedr's career spanned six decades, with his last recording released in 2022.

We've got two cassettes by this remarkable artist; first up is something from the 1990s or aughts, "Admonitions & Mawawil." An incredible recording, with minimal instrumentation including percussion, oud, a single string instrument, a very suppressed keyboard of some kind, and Khedr's mind-blowing voice up front in the mix.

(Listen to "Forgive Me سامحيني")

Download the whole cassette here


Azaz (1988)


In addition to "Admonitions," we'd like to share this 1988 live cassette, "Azaz."


It was not entirely clear where each of the tracks began, so rather than cut up the recording and risk mislabeling anything, we kept each side a whole. Both sides are 30 minutes long and well worth a full immersion.




Wednesday, August 30, 2023

60 Years of the Cassette | 7-10 PM EDT



TONIGHT on WFMU's Give the Drummer Radio: 

Developed in 1962 by the Philips Company, the first cassette tapes were released on August 30, 1963, at the Berlin Radio Show. This episode of Bodega Pop presents a three-hour celebration of the format focused on international cassette-only releases sourced from compilations, music blogs, friends, and Gary’s personal collection. HT to Andrew Simon for alerting us to this anniversary.

Bookmark the page and see you at 7:00 PM EDT!
 

Wednesday, August 23, 2023

Comb & Razor Sound | 7-10 PM EDT

 


TONIGHT on WFMU's Give the Drummer Radio: Writer, music historian, producer, researcher, blogger, and DJ Uchenna Ikonne's Comb & Razor Sound released just seven long-playing records in as many years. But the vision, the packaging, the whole approach had a significant impact on reissue culture -- and the music is unimpeachable.


Wednesday, August 16, 2023

It's Bigger Than Hip Hop | 7-10 PM EDT

 


TONIGHT on WFMU's Give the Drummer Radio: A deep-cut, idiosyncratic tour through the first three+ decades of hip hop recordings, 1979-2012-ish, one track per year


Wednesday, August 9, 2023

HOT MESS | 7-10 PM EDT

 


TONIGHT on WFMU's Give the Drummer Radio: Freeform as freefall. The fucked. The hated. Doomsayers. Out of control and over the top. The despondent. Los Locos. Y mas.


Wednesday, August 2, 2023

Fables of the Reconstruction of the Fables | 7-10 PM EDT

 


TONIGHT on WFMU's Give the Drummer Radio: How we reimagine the past in music. The Parisian avant-gardist. An invasion from Mars(eille). The Lebanese conceptual artist. An Iraqi-American archivist. Cambodian-American bootleggers. A Vietnamese-American icon self-publishing her glory days. Mujeres en el underground metalico. All Bagged Up.


Wednesday, July 26, 2023

The Year Oum Kalthoum Died | 7-10 PM EDT

 


TONIGHT on WFMU's Give the Drummer Radio: With the passing of Egypt's greatest voice in February, 1975 evolved into a transitional year in the nation's music. Sono Cairo released its last 7" singles, going all-in on longform formats forever after. Hany Mehanna's debut LP hinted at an electronic era to come while Ahmed Adaweya published his first shaabi collection on cassette -- the first couple of what would prove fatal blows to the more traditional strains practiced by Kalthoum, Abdel Halim Hafez, Warda Al-Jazeera, and Farid Al-Atrash. This episode will highlight defining moments ripped from original media of the period.


Monday, July 24, 2023

Bootleg Soviet Punk Compilation (Cockroach Records, 1993)

 


I recently got my hands on a copy of what is likely the most interesting music-related item I've ever actually held in my hands: A bootleg sampler of Soviet-era punk (and punk-adjacent) music on cassette.


What makes this of particular interest is not the music -- I've got lots of this stuff, if not every track on this sampler, and it's all better sounding and in much better condition. What makes this particular item of great interest to me is that it was sent from some kid in just-barely-post-Soviet Russia to a couple of North Americans as part of an international punk exchange.


That's the letter -- from Vit to Chris and Darren -- above. How these three (presumably) young people, from opposite sides of the globe, in countries that had faced off against each other as primary enemies for several decades, got in touch with each other is a baffling mystery. 


Another mystery: Was Vit an enthusiastic kid who made pen-pals and shared music or was Vit personally involved in Cockroach Records (who produced this bootleg) and the associated Play Hooky! DIY zine? (Thanks to Twitter/X user @FedorLinnik for tracking down that link.) My guess would be the latter.


I had no intention, initially, of sharing this with anyone, other than posting a photo of the cassette, letter, fliers, and patches (see directly below), and a brief 1-minute video with sound, to pre-X Twitter a few days ago. I expected it might be seen by a few hundred people, maybe a thousand, at best.

As of this writing, nearly 700,000 people have seen the post and over 11,500 have liked it. Dozens have commented on it, many asking for me to rip and share the music somewhere. 

I didn't really expect, or want, to do that, in part because the primary experience for me had less to do with the sonic quality of the tape and everything to do with its physical (including but not limited to its sonic) reality. 

My experience involved listening, but listening while cognizant of the tape wheels spinning, of the artifacts assembled in front me, of being able to run my thumb along the felt stitched images gracing the patches, of smelling the aging paper on which the letter and flyers had been printed, of feeling the weight of the cassette case in my hand, feeling and hearing it creaking open and closed, and of the memories of my own taping and sharing music that all of this brought up for me -- to say nothing of the experience of imagining myself in Chris or Darren's shoes, listening to this then-mysterious music for the first time, or -- even more mind-blowing -- imagining myself as Vit, with a history and knowledge of this music, assembling a package to share with new pen-pals overseas, that feeling of here I am, this is me, this is a culture that I never could have guessed I would be sharing -- I mean, it's almost too much to emotionally process.

For those who want to track down Russian punk (or rock, pop, disco, etc.), it's worth spending a few hours on this wildly expansive Russian Music blog. (It wouldn't hurt to learn Cyrillic first, which you can easily do in a day -- it's not a particularly complicated alphabet.)

Alternately, I've broadcast a few Russian punk and punk-adjacent episodes over the last decade, including:

City of Gold: Leningrad 1974-1991

Yegor and Yanka (Grazhdanskaya Oborona aka Civil Defense)

Mike and Tsoi (Zoopark and Kino, respectively)


Listen to "Outch Putch" by Ukrainian band
Ivanov Down from A Side
(thanks to Twitter/X user 
@mecchisketchy
for identifying this track)