Showing posts with label rap hip-hop. Show all posts
Showing posts with label rap hip-hop. Show all posts

Tuesday, December 9, 2014

Revolution Rap: Arabic Hip-Hop | Bodega Pop 12



 
Listen to "Ramallah Underground" 

 
Listen to "Beit" 

 
Listen to "I'm Not Your Prisoner"

 
Listen to "As Salam 3alikum"

 
Listen to "Talakat" 

Just reupped the 24-track album here.

Hyperbolic as it may sound, Arabic rap and hip-hop has had a significant place in the series of uprisings that have swept across North Africa and the Middle East since December 2010. Considering that what we in the west sometimes like to call the "Arab Spring" is predominantly a youth movement, it makes sense. 

Despite the not-coincidentally alliterative title of this mix, not every track I've chosen to include has a relationship to the "revolution," as it were. (Lebanese rapper Rayess Bek's "3al 2anoune 3al2anine," for instance, was recorded a decade ago.) But all of the tracks are, in some way, shape or form "revolutionary" -- for their content, their sound, their innovation. Nearly half of the tracks feature a female artist. 

Here's the moment where I'm tempted to make reference to my country's seemingly inexorable movement toward war in Syria, relating that to this music (and, by association, the people who made it) ... but there really is no real relationship and, frankly, I don't know, exactly, what to say. We tend -- as a culture, a country, a political player on the world's stage -- to speak too often for others. We need to learn how to listen.

Wednesday, March 5, 2014

BODEGA POP LIVE ON WFMU's GTDR TONIGHT


TONIGHT from 7-10 PM ET, Bodega Pop Live is pulling out all the stops to offer an egregiously thrilling three-hour hip-hop tour through Brazil, Cambodia, Egypt, Hong Kong, Israel, Lebanon, Nigeria, Panama, Senegal, Vietnam ... and beyond

LISTEN in and check out the PLAYLIST 

Oh, and by the way ...

This super-awesome CD, Rap Around the World, lovingly hand-compiled by your favorite bodega proprietor, can be yours by pledging $75 or more to support WFMU / Give the Drummer Radio during their annual marathon. 

PLEDGE NOW

READ MORE ABOUT THE CD 

Monday, March 3, 2014

RAP AROUND THE WORLD | LIVE WFMU WEDS


This Wednesday from 7-10 PM, Bodega Pop Live is pulling out all the stops to offer y'all three insanely glorious hours of the most awesome international hip hop you've ever heard. 

Bookmark the page! And, while you're there, why not make a pledge to keep WFMU's Give the Drummer Radio on the air?

Friday, January 11, 2013

Upper Hutt Posse | Te Reo Maori Remixes


 
Listen to "Te Hono Whakakoro" 

 
Listen to "Tangata Whenua" 

Listen to "Anei Ko Te Wiya" from the bonus MC Wiya disc

Grab it all here.

One of the many projects I've been working on recently has been the steady compiling of songs for a politicized global rap mix. So imagine my Blueberry Hill-level thrill when, tonight after work, I decided to stop by the Asia Society to check out the super freaky Lin Tianmiao show and, in a remainder bin in the bookstore, found this CD by hyper-politicized Aotearoa / New Zealand hip-hop group, Upper Hutt Posse. 

This band, which got its start playing  reggae in 1985, is probably the greatest thing musically to have ever come out of this particular Polynesian island country. In addition to socially-conscious lyrics, the music itself is utterly thrilling, as thrilling in places as Public Enemy was in their day. (Don't believe me? Give "Tangata Whenua" a whirl.)

From the band's Wikipedia page:
UHP formed as a four-piece reggae band in 1985. Since their inception, Dean Hapeta (also known as D Word or Te Kupu) and the Posse have been fighting racial injustice through their music. In 1988 they released New Zealand's first rap record and their first 12-inch hip hop record, "E Tū", through Jayrem Records. The song combined African American revolutionary rhetoric with an explicitly Māori frame of reference. It pays homage to the rebel Māori warrior chiefs of Aotearoa's colonial history, Hone Heke, Te Kooti, and Te Rauparaha.
Writing about the band, Stephen Zepke insisted that "Upper Hutt Posse aren't a symptom of the recent rise in Maori activism, they're a cause."