·A recently unearthed over-the-top live recording by a Syrian
diva who recently had her passport revoked for her vocal criticism of Bashar
·Career-spanning tracks from the Polish rocker known as much
for his James Brown-like performances as for his forward-looking prog and moog-y
·A few greatest hits by the craziest Southeast Asian rapper we’ve
·Our favorite cuts by our favorite politicized twee band in
·An unreleased early live performance by one of the towering
giants of Algerian rai
AND LOOK AT WHAT’S
COOKING FOR NEXT WEEK!
Oct 22: GAL PALS | DJAmanda Nazariojoins Gary to co-host
super thrill–inducing garage pop duoGAL PALS.
Lauren Marie Mikus and Jillian Talley will stop by the studio to perform early
hits + songs from their upcoming debut album, and spin some of the music that
influenced and inspires them.
Reupped by reader request, here. [Originaly written and posted November 1, 2012.] So, contrary to my rather cavalier pre-Sandy post last Sunday, here I am about to talk about the storm. Not to reiterate on the enormous damage it has caused up and down the east coast, but to turn your attention to the magazine I've been writing for since this summer, Open City. A number of writers associated with that online journal were asked yesterday to report on the storm's impact on New York's immigrant cultures by editor Kai Ma, who is a personal hero of mine for having started a magazine that focuses on immigrant culture in New York City in the first place. Now Kai is assembling and editing these reports from around the New York City area on the special impact the storm has had on these immigrants who, frankly, make this city (as well as this humble music blog) what it is. The first report, from Sukjong Hong, just went up today; you can read it here. My neighborhood, Astoria, didn't fare as poorly as others, though there is at least one tree downed on every other block. (Some 10,000 trees reportedly toppled in Queens alone.) We were lucky. Very, very lucky. Today, while one of my co-workers relocated to Brooklyn with her family from their powerless, waterless apartment on the easternmost edge of Manhattan's Chinatown, I had the relative luxury of wandering around Astoria, surveying pockets of damage here and there, and marveling at the number of businesses--pretty much all of them--that have reopened in Sandy's wake. (Truth be told, most reopened yesterday.) Including one of my go-to immigrant-run stores: GMV, or Greek Music & Video Inc. (25-50 31st Street, Astoria, NY 11102). As you'll remember, back in February I found this fabulous CD by surf-garage-psych band The Olympians at GMV; today, I returned to the same spot in the stacks and discovered the subject of today's post: A collection assembled in 1996 of the band's earliest 45 records. The CD includes original songs and covers in both English and Greek (including a Greek version of the Kinks' "Lola") spanning the first five years of the band's existence. It's a rock-solid, life-affirming collection that I'm going to guess many of you, regular visitors and those who may have stepped in to the Bodega for the first time today, will enjoy.
And for everyone whose lives were affected by this truly unprecedented storm, our thoughts are with you ...
On October 1, Bodega Pop Live on WFMU's Give the Drummer Radio spun the most memorable tracks from our favorite CDs found in three dozen different bodegas, in the order we remembered them. A radio broadcast in the form of Joe Brainard's enduring masterpiece.
On September 24, Bodega Pop Live on WFMU’s Give the Drummer Radio celebrated Brazilian legend Caetano Veloso’s U.S. tour with a three-hour psychedelic trip through the fuzziest, funkiest, freakiest, hard Tropicália garage rockin’est grooves ever released in República Federativa do Brasil. Leave your Ordem e Progresso at the door!
Take a wild ride through the colorful, frenetic streets of Cairo as Gary Sullivan spins an electrifying sound collage featuring Egyptian chip-hop rebels, early 20th century cafe stars, veiled feminist rappers, Jewish cinema icons and guitar-shredding martyrs.
Whether you spell it amor or amour, miłość or 爱, pop music wouldn’t exist without it.
On Wednesday, Sept 10, Bodega Pop Live on WFMU’s Give the Drummer Radio celebrated feelings and states from interpersonal affection to pleasure as expressed by Japanese pornographers, Hong Kong hipsters, Egyptian DJs, and lovelorn balladeers from Bosnia to Vietnam.
Listen to Bodega Pop Live's three-hour Greek pop program, Highway to Hellas! Get the 14-track album here I found this lavishly compelling late-sixties Greek garage-pop album a couple of weeks ago in the $3 bin at the Greek Music and Video Superstore (23-33 31st Street, Astoria). I'd gone from my apartment on the LIC-Astoria border up into Astoria proper to meet my cousin Takashi (technically my cousin Rebecca's son) for lunch at BZ Grill before he headed out for a gig in Iceland. We'd scheduled lunch on the late side, which allowed me to more than simply "pop in" to the Superstore. Honestly? I gave myself a full hour to scrape my way through the store's numerous cheapo bins (because, God forbid I miss anything, right?). When I saw the cover of today's offering, I fell in love. "What can you tell me about this CD?" I asked the woman behind the counter. (I held back the urge to blurt out, "BECAUSE IT'S GREEK TO ME." Good going, me!) She took it from my hands, turning it over once or twice, squinting at it. I was expecting, given the Aubrey Beardsleyesque cover, that it might be Greek showtunes or something along those lines. "It's kind of ... popular music ... sixties."
"Real sixties?" I asked, having no clue what I meant by that. "Yes," she affirmed. It turns out, she was right.
On Wednesday, September 3, Bodega Pop Live on WFMU’s Give the Drummer Radio served up three hours of the rawest + rarest in darkwave entehno, garage laiko and psychedelic rebetiko from Ανδρεας Ζακυνθινακης to Ζωντανοί Νεκροί.