TONIGHT on WFMU's Give the Drummer Radio, we spin three hours of tracks from some of our favorite 2021 reissues and historical compilations.
Bookmark the page and see you at 7:00 pm!
TONIGHT on WFMU's Give the Drummer Radio, we spin three hours of tracks from some of our favorite 2021 reissues and historical compilations.
Bookmark the page and see you at 7:00 pm!
Tonight from 7-10 PM EST on WFMU's Give the Drummer Radio, Bodega Pop spins three hours of shred-heavy Saharan guitar-forward tracks
Tonight on WFMU's Give the Drummer Radio, Bodega Pop spins three hours of Japanese hardcore, rockabilly, punk, and retro sounds.
Groupe Ouled Chtiwi مجموعة اولاد الشتيويSawt al Ochak cassette صوط العشاق1) Al Ghorba (Alienation) الغربة2) Ana Lghram (Me and Lovesickness) انا الغرام3) Kachkoul Aswaken (Medley: The Residents) كشكول السواكن4) Jaaidan - Al Halga - Al Ghaba (جعيدان -الحلگة - الغابة)5) (Taarida)--Track 2: Your translation of "Ana Lghram" is correct for title as written. But listening to the vocals he says "ana w lghram, ma3andi tbib ana", which means something like "me and lovesickness, i have no doctor, me". So I would go with "Me and Lovesickness" for the translation.Track 3: I didn't know the term "kachkoul" before, which Google translates as "notebook" or "patchwork". But looking around on YouTube, I get the idea that in a musical context it means something like a medley. The track is definitely related to Swaken - it's a term used in Aita that means "residents", in the sense of those possessor spirits whose residence in bodies manifests during trance.Track 4: The terms Jaaidan and Halga are new to me. They appear to be Aita pieces, and I found different versions of them on YouTube that sound like parts of this long medley. I do know Al Ghaba (the forest), which is a well-known chaabi/aita song but I don't hear it in Track 4 or Track 5.Track 5: This seems like just a filler instrumental to run out the tape. I usually label these "Taarida", which is a term used for formulaic musical instrumentals, and it literally means "making wider", or "stretching out". So I used that here for Track 5 title.
Tonight on Bodega Pop, we spin tracks from the first year of Bruno Wendel and Günter Körber's legendary Hamburg-based krautrock-forward label
For our good buddy Brandon Downing, who introduced us to the band many years ago.
Bodega Pop returns tonight to spin tracks from cassettes, CDs, singles, and 10" records found on a recent trip to the Pacific Northwest
Inspired by the first episode of Stephen Satterfield and Jessica Harris's High on the Hog, we spin field recordings, funk, neo-traditional Bariba & Dendi music, and more from the West African Republic
Tonight on WFMU's Give the Drummer Radio, Bodega Pop plays scorchers from around the globe on everybody's least favorite analog format!
I've had this Moroccan cassette for years, something I picked up on Steinway Street's Nassem Halal Meat and Mediterranean Grocery long before the owner sold the store. This is an enjoyable ride, with bursts of punchy strings and organ fills -- are they real strings and organ or synth? -- over a driving, complex but steady, rocking beat. Terrific, subtly emotive vocals, with call-and-response chorus.
I've made a first attempt at a track list, but I don't entirely trust my transliteration skills. Worth noting that most of the songs bleed into each other, thus tracks 2 and 3 on Side One are really two songs, and Side Two is a continuous track consisting of four songs.
SIDE ONE
Awad عواد
Fatna فاطنة and Taxi تکایسي
Ana Al Maebud Allah أنا المعبود الله and Alalat Rah Kwany الالة راه کواني
SIDE TWO
Ma Yuqit Lak Qabar ما يقيت لك قابار and Mimai Dariha ميمىي دارها and Eayt Ana Manhbur عيت أنا مانحبر and Malo Malo مالو مالو
Link to FLAC files in the comments. If you're still downloading things from here, it would nice to hear from you. Leave a message, say hello.
This is a remarkable recording, from 1988, of a collaboration between long-time friends composer Sayed Makawy and poet and cartoonist Salah Jahin (or a tribute by the composer to his then recently deceased friend). It is not the first time Makawy had scored Jahin's poetry; Discogs lists this cassette, with the same title (which I think translates as The Poetry of Salah Jahin).
However, the main difference between that one (pictured directly above) and the cassette I'm sharing today (pictured at the top of this post) is that the latter features the singing voice of Ali al Haggar in addition to whomever is reciting Salah Jahin's poetry (perhaps Jahin himself, although the poet died in 1986, two years before this release).
Al Haggar is an interesting choice. His voice has a smooth, mid- to high-range huskiness that, to my ear, at least, is more than a little reminiscent of Abdel Halim Hafez--the one famous singer that composer Sayed Makawy famously never worked with.
I've never heard an album quite like this. Clearly Egyptian in orchestration and composition, there are distinct touches that make it unique. Plus, more obviously, it toggles rather aggressively back and forth between passages of recited and sung poetry--something I've only ever heard before in recordings of Persian poetry, and even there, there was only one vocalist. This is clearly two, one for each mode.
Link to FLAC files in comments.
TONIGHT on WFMU's Give the Drummer Radio: Mind-blowing cassettes from Congo, Kuwait, and Mali. Egyptian-Palestinian experimentation. A rediscovered Brazilian underground classic. Il Maestro. Horny reggae. And Nico.
TONIGHT on WFMU's Give the Drummer Radio, Bodega Pop spins Soviet freak folk, progressive & psychedelic, avant-electronica, esoteric funk, and more by Russia's greatest bedroom star
The Mushrooms Fever |
Tonight on WFMU's Give the Drummer Radio, Bodega Pop spins punk, pop, hip hop, field recordings, old cassettes, 78s, and more from the red island
Bookmark the page and see you at 7:00 PM!
TONIGHT on WFMU's Give the Drummer Radio we spin favorite and obscure tracks by keyboard kings, queens, dukes, and duchesses
TONIGHT on WFMU's Give the Drummer Radio, Bodega Pop spins Jamaican dancehall hits, dis tracks, deep cuts, and come-ons
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