La Merde Chaude! | 19 Hot French Trax

Listen to "Quai No 3"



Listen to "Le P'tit Clown De Ton Coeur"



Listen to "Sex Accordeon Et Alcool"



Listen to "Le Travail"



Listen to "Au Revoir"


Get the 19-song mix here.


Despite New York's reputation as one of the most expensive cities on earth, there is not a single day of the year that you can't find at least one totally free event to partake in--everything from live performances to gallery openings to street fairs. Today, of course, was Bastille Day on 60th Street in Manhattan, which is held annually on the Sunday following the actual Bastille Day. For several long blocks along 60th Street, just below Central Park, you can listen to free live music as you wander by stalls offering French eats, groceries, knick-knacks, books and--you guessed it--music. 

Last year, I picked up three French hip-hop records for $1 each, one of which I posted here. At today's fair, the Alliance Francaise Library was offering French CDs withdrawn from their library for 25 cents apiece. I happened to be at their stall the moment they opened. Fifteen seconds after they opened, I walked away with all 16 CDs they had out for sale. I knew it was a gamble; after all, these were rejects, la merde de la merde. I stuffed them all in my backpack and promptly forgot about them as I wandered around, taking in the sights and smells and sounds. Hours later, when I returned home, I plopped the first CD into my computer to have a quick listen (Arthur H's first album, Arthur H--that's an image of him from the back of the CD at the top of this post).

The opening track, "Quai No 3" (listen to sample above), had me sitting up and taking notice. I created a new playlist in iTunes, titled it "Merde," and dragged the song into it. Not that I thought every album was going to be a winner, or even have single listenable track. But I thought it would be fun--and appropriately French--to perform a kind of oulipian experiment using the Alliance Francaise Library's withdrawn CDs I had picked up this year and last.

When the second CD (Johnny Hallyday's Les Grands Success De Johnny Hallyday--second sample above) turned out to be as great as the first, I figured I'd just gotten lucky. When the third, fourth and fifth CDs all proved to each be as fabulous as the last, I almost started to cry. Really? I'd spent four lousy bucks on this merde. And all of it was kicking my ass.

In creating tonight's mix-tape I gave myself a couple of rules: (1) I could only include one track per CD and (2) I had to use EVERY CD I'd gotten at the fair, both this year and last. I admit that I broke the second rule--while I found a couple of tracks on Florent Pagny's Re:Creation that didn't make me want to do violence to myself, I also remembered how OuLiPo creators had embraced the "clinamen"--or "unpredictable swerve." In layman's terms, it means the Oulipians allowed themselves one opportunity to cheat. So I took mine.

That said, this is an effing supremely fabulous mix, especially considering the fact that I only passed on one of the CDs I picked up in the last two years at a street fair. Do note, however, that while I did stay true to the first rule of only including one song per CD, I wound up getting two CDs each by two artists Java and Dominique A, which is just as well, as they're both incredible. Also, JL Murat's Lilith is a two-CD set; I picked a song from each disc.

Obviously, this is not a representative sample of contemporary French pop. It seems skewed toward the experimental (Franck Vigroux's collaboration with Elliott Sharp!) and the music dates from as far back as the 60s to the present, with quite a bit of 90s action.

If there's anything you find yourself particularly thrilled by, let me know and I'll perhaps post a few entire CDs of the creme de la merde.

Beijing's first punk band, The Fly

A short article I wrote about Beijing's first Punk Band, The Fly, was just published in the Asian American Writer's Workshop magazine, Open City, here.

And for those interested in the album mentioned in the article, you can get it here. 

21st Century Chinese Rock & Punk

Subs vocalist Kang Mao (photo by Bjørn Gausdal)

Listen to "Asshole I'm Not Your Baby"



Listen to "No! No! No!"



Listen to "Eat Me"



Listen to "Wahaha"



Listen to "爱之过往"


Get the 30-band, 30-song compilation here.


For decades now it seems like the most exciting expressive culture--no matter the discipline--has been coming out of mainland China. Ai Weiwei, Gu Wenda, and Xu Bing are at the forefront of a huge explosion of visual and conceptual art that a number of phone book-thick catalogs published here and in Europe can barely keep pace with. Writers as diverse as Ma Jian, Liao Yiwu, and Mian Mian are creating some of the most raw and genuinely engaging fiction and creative non-fiction in recent memory--and making international headlines in the process. And I don't think I'm alone in thinking there is no greater, more inventive living film director than Jia Zhangke.


So it should probably be no surprise that, over the last decade or so, the PRC has produced quite literally the most thrilling rock, punk and post-punk in the world. Or that much of this music--unlike so much else on this blog--has become increasingly available through western channels.



Watch Subs perform "So Fine Emo"


For this compilation I gave myself a couple of rules: I wouldn't poach from any pre-existing, readily available compilations (although I did wind up using one song from a free comp that some of you may already have) and I would only allow myself one song from each band, no matter how hair-raisingly great their other tracks may be.



Watch Rebuilding the Rights of Statues' "TV Show (Hang the Police)"


I'll keep this post to the bare minimum, hoping the reader will listen and judge for herself, and use the opportunity to seek out more, as the interest strikes, through Amazon, iTunes and the great independent Asian-focused site Tenzenmen.com.


And, as always, I'm totally curious what you think. ...

Cui Jian | Power of the Powerless

Listen to "Slackers"

Listen to "The 90s"

Listen to "Buffer"

Get it all here.

Imagine if Bruce Springsteen, in addition to being politically savvy and popular with both audiences and critics was musically edgy and interesting. That's basically what you get with Cui Jian. And this album, recorded in 1998, four years after Balls Under the Red Flag, might just be his most musically exciting.

Shankar Jaikishan | Suraj & Gumnaam

With the exception of NRIs, most Americans' first experience of Bollywood was probably seeing a good portion of the scene below--"Jaan Pehechaan Ho," from Gumnaam--in Terry Zwigoff's Ghost World:



As crazy as that scene is, it's nothing compared to this scene later in the film:



I've long suspected that scene to have been a conscious parody of the famous dream sequence in Raj Kapoor's Awaara:



... which, if so, would be especially ironic, given that Bollywood's most famous duo, Shankar Jaikishan, composed the music for both.

Get it all here.

Olympians | Olympians

GMV, or Greek Music & Video Inc. (25-50 31st Street, Astoria, NY 11102), is a self-described "superstore" about four or five blocks from my apartment here in lovely Astoria. GMV lives up to its self-description; as far as I can tell, they're the single largest retailer of Greek music in the New York City area. Remember Tower Records? These guys are like the Tower Records of imports from the Hellenic Republic.

Despite GMV's proximity to my home, and despite my love for all foreign music burned into optical discs of polycarbonate plastic, I admit that I don't stop in much at GMV. The reason is simple: Other than CDs from Japan, these are the most expensive imports I've ever encountered. It's one thing to pick up five CDs at $2 each from a tiny Burmese store off the 7 train ... even if only one of them is great, you've only spent ten bucks. Greek music typically retails at anywhere from $20-26 for a single CD.

This time, I was lucky. Now, we all know you can't judge a CD by it cover, but when I saw this one, I pretty much assumed it was going to be delightful. It is.

The Olympians are one of three bands mentioned in the 60s Rock section of Wikipedia's Greek Music page. From what I can gather, this collection is a compilation, including songs from 1966-1970. The CD itself was released in 1994 and seems to have more or less vanished from the face of the earth. (I wasn't going to post it if I had been able to find it anywhere online.)

Listen to the first track on this CD

Get it here.

10 Best Albums of 2011

I've provided links to get most this music, all for free, and all from others' uploads. I encourage you in every case to seek out original CDs and actually buy them, whenever possible.

Marshmallow Kisses
Ciao!Baby
Released January 25, 2011

This is one of my top two CDs of the year, and possibly the album I listened to most after discovering it online a couple of months ago while sleuthing around about Hong Kong underground music. While the MKs are somewhat late to the Hong Kong twee party, their first two albums (their first being I Wonder Why My Favorite Boy Leaves Me an EP) have delivered far beyond my own expectations for the genre ... and I'm a huge fan of HK twee pioneers My Little Airport, Ketchup and the Pancakes.

I have no idea what sort of legs this terrific ray of sunshine would have outside of the Special Administrative Region, but it seems criminal that not even Pitchfork seems to know about it. Get it here.

Listen to "Jazz for Lovers; Solitude for Me"

* * *

Deerhoof
Deerhoof vs. Evil
Released January 25, 2011
I'm just as shocked as you are to see a U.S. band among my top 10, but along with Ciao!Baby, this was my most listened to CD all year. (My two top faves of the year were both released on January 25.) In another 2011 top 10 I read online, someone else described the album as "utilitarian," noting the lukewarm response it received from critics, who generally like the album but complain about it being unfocused, or even ADD. That actually makes it the perfect record for the kind of listener I am: completely bored with the simplicity of most western popular music but not terribly thrilled by most jazz or classical, either. It's what's driven me to track down every Albanian, Bangladeshi, Brazilian, Burmese, etc., etc. bodega in NYC, where I can get music I can really respond to on a visceral level. (Most western critics write about pop as if they respond to it on a purely socio-semiotic level; reading music more than than listening to it.)

Personally, I think this is the best album Deerhoof has ever made: sonically rich, forward-looking, utterly brilliant pop that sounds like it couldn't possibly have been made in this country. (File removed from link; sorry.)


Listen to "Qui Dorm, Només Somia"

* * *

Najwa Karam
Hal Leile ... Ma Fi Noum 
Released June 28, 2011
Holy crap, but I love Najwa Karam. I have--I'll admit it--zero objectivity when it comes to this woman; she could release an album sitting on the toilet reading Jewel poems translated into Arabic and I'm sure I'd buy it, listen to it and profess my undying love for it. That said, trust me when I tell you that this record totally and unimpeachably fucking rocks. Other than her voice getting consistently deeper and more powerful, little has changed since the Lebanese superstar began recording in the late 80s: nearly every record she puts out is either the dabke or the baladi equivalent of AC/DC, Rolling Stones or, closer to home, Hakim. And this one, quite honestly, is the most rockin' she's put out in a few years--it's like the Some Girls of her career.

Did I mention how hard she rocks? Or how hard this record rocks? If this wasn't such a recent purchase for me, it would probably be right up there with Deerhoof and Marshmallow Kisses in the "most-listened-to" category. I'm sure it'll earn that status soon enough. Get it here.


Listen to "Ya Baie"

* * *

Sōtaisei Riron
Correct Theory of Relativity
Released April 27, 2011
Sōtaisei Riron means "theory of relativity," so the title is kind of a play on the idea of a correct theory and the fact that most of this album is made up of remixes of the band's earlier work by Yoshihide Otomo, Spank Happy, Buffalo Daughter, Arto Lindsay, Cornelius and others. These aren't, however, remixes that sound like remixes--this album is completely unique, beautiful and totally perplexing. (Track three, for instance, is NOT a mistake; although it took me several tries before I was able to listen all the way through to the end and realize what, exactly, it is.) Perhaps appropriately, the first song, "Q/P," one of the two non-remixes on the album, opens with the words: "I. Don't know. Wha. Choowhachoo want ..."

The band has come a long way from its kind of Smiths-soundalike-with-female-lead-singer, and this album, though I bet it throws some fans off, is another great surge forward. Get it here.


Listen to "Q/P"

* * *

Pairs
Summer Sweat
Released September 30, 2011
I know next to nothing about this band, which I "discovered" via Music Has the Right to People a couple of weeks ago. From what I've been able to suss out, it's a male-female duo based in Shanghai; this is their second album; and this one was produced by Yanghai Song of Beijing punk superstars PK14. When my absolute favorite Chinese punk band, Subs, released the deeply disappointing Queen of Fucking Everything last year, followed this year by a less-than-thrilling Honeyed and Killed from the once fabulous Hedgehog, I just assumed that punk in China had shot its wad. Apparently, it's just moved south to Shanghai.

This record is stripped down, extremely raw and in some ways every bit as surprising as Wire's Pink Flag (songs range in length from the 52 second "Christmas" to the nearly five-minute long "My body is not a wonderland"). I suspect it'll convince at least a few of the more cynical of you out there that, in fact, "punk's not dead." Get it here.


Listen to "Cloud Nine"

* * *

Zee Avi
Ghostbird
Released August 23, 2011
This is the only record (other than the Deerhoof) that actually, so far as I know, has legs here in the U.S. In fact, you're more likely to know more about her than I do, as I only recently stumbled onto this record, wholly by accident, while scrolling through the music blog Chinese Music Collection. (Yes, I know she's Malaysian; thanks.) I don't know what her record was doing on that blog, but there it was, and I'm rather happy to have it, although I have no idea if I'll still be listening to it in another week or two; it's already starting to feel ickily like any number of earnest American or British neo-folkers whose work I have strenuously attempted to avoid for the last several years.

That said, I do love "Siboh Kitak Nangis" and "The Book of Morris Johnson," neither of which I can imagine getting tired of any time soon. Get it here.


Listen to "The Book of Morris Johnson"

* * *

Guitar Wolf
Spacebattleshiplove
Released, golly ... sometime in 2011
This is a self-released album, recorded in Tokyo in 2010 and intended to be sold during Guitar Wolf's 2011 Hoochie Coochie Space Men North American tour. It is so ear-shreddingly raw, so super em effin' rockin', words simply can't describe how much I love it. How is it that, while 80s Japan rockers Shonen Knife have gotten increasingly self-consciously cute, Guitar Wolf has just gotten more fucked-up and awesome? Don't get me wrong; I love both bands. But GW has no right to be this full of energy, this rockin', this far into their career. For one thing, it isn't fair to everyone else. For another, it's just confusing. 

Get it here.


Listen to "Hoochie Coochie Spaceman"

* * *

Da Bang
Bone Hug

Released October 1, 2011

I'm seriously running out of steam here, so don't expect a lot of vivid description at this point. And, honestly, we're starting to get into "uneven" territory now. But the "end of year" convention demands 10 albums so, so help me god, that's what I'll deliver. I don't love everything on this record, but I love the stuff that sounds like super-jacked up 80s synth pop, especially "No-Hero-Days," which is as good as anything Big Sea Queen Shark has recorded, and "冰心" (which I'm assuming is about the famous Chinese writer of the same name).

Definitely worth a listen. Get it here.


Listen to "No-Hero-Days"

* * *

Juusho Futei Mushoku
JAKAJAAAAAN!!!!!
Released sometime in 2011
I love this band so much it hurts. That said, their follow-up to their 2010 debut isn't quite as mind-blowing, though it certainly has its moments. I really, really, really, really, really, really wish I could find the video they shot for "One Two Three"; it was insane. Alas, it appears to longer be on YouTube, perhaps owing to the fact that it wasn't, to be perfectly honest, exactly P.C. Or maybe I just lack the skills to find it again. (If you find it, for god's sake, please let me know.)

Get it here.

* * *

10cm
1.0
Released February 10, 2011
In truth? I don't love this album, but I think this band, which I'm pretty sure is a duo, from Korea, has potential. They can either go one of two ways: Slicker and less interesting, or more Jonathan Richman/Crowd Lu-like and awesome. Time, I suppose, will tell. I wouldn't have included it here except that (a) it does seem promising and (b) fairly different from most K-pop.

Get it here.


Listen to "King Star"

* * *

So, what do you think? And, more to the point, what are your own favorite albums of 2011? Post your list in the comments below, or, better yet, include a URL to your own blog, if you have one. (But, seriously, if your list includes Wilco or PJ Harvey, don't bother.)

Drew Gardner & Various Artists | Flarf Orchestra

Listen to K. Silem Mohammad reading "Utah!" and other pieces.


Listen to Sharon Mesmer reading "A Unicorn Boner for Humanity"

Buy a copy of this crazy-ass CD here.

Most readers of this blog probably don't know this, given that most of you are in Europe or Asia and probably don't read much American poetry, but back in late 2000 I began writing a bunch of crazy, somewhat offensive poems that I began to call "flarf." In the spring of 2001, a half-dozen friends and I launched the Flarf email list, which ultimately grew to about 30-40 participants.

You can read a short history of the movement here and an article about us that appeared on the front page of the Wall Street Journal here.

Over the course of a decade or so, my friends and I put on a number of performances--in New York, Pennsylvania, Colorado, Maryland, Minnesota, Washington DC, and elsewhere--and at a few of these performances, flarf poet and jazz musician Drew Gardner put together impromptu Flarf Orchestras, made up of both local professional and completely amateur (or altogether non-) musicians, who provided music for some of the readings.

This CD, just released by DC flarf poet Rod Smith's Edge Books, features 10 of those live performances. For those curious about this blog author's "other life," I should warn you that I'm not one of the featured readers, though I do play a plastic blow-into-it sort of "keyboard" on one of the tracks. That said, the music is solid, often fabulous and, as is the case with the sample tracks above, offers an occasionally transcendent mix of language and music, the likes of which I'm guessing you've probably never heard.

Various Artists | 21st Century Japan

Listen to the first song from this set

Hear song number 5

Listen to the 21st song

Get all 30 songs here.

A nice shout out about Bodega Pop from WFMU's "Beware of the Blog" reminds me that, in fact, my initial plan was not to do a blog at all, but a CD label. Talking with conceptual poet and WFMU DJ Kenneth Goldsmith, who encouraged me to consider doing a blog instead, ultimately led me (and now you) here.

Kenny was right, of course; I've probably posted more music to this blog in the first year than I'd have been able to publish in CD form, even if I lived to be 100. But a boy can still dream, can't he?

Were I to seriously consider a label, I think the very first project would be to compile a couple dozen of the most thrilling contemporary tracks from Japan, focusing on indy rock and some of the more accessible experimental stuff--from noodles and Seagull Screaming Kiss Her Kiss Her to Melt Banana and OOIOO.

And that is, more or less, what I've done here. Some of this was found in Japan, but most of it was discovered online, a good portion of it at Rebel Japan Music, one of my all-time favorite music blogs.

If you like what you hear, I encourage you to seek out other music by the bands that intrigue you; many of whom, again, can be found on Rebel Japan.

And don't be too harsh on my imaginary CD cover--it's the first I've ever "designed."

Cuī Jiàn | Balls under the Red Flag

Listen to "Flying"

Listen to "Balls under the Red Flag"

Get it all here.

Found for a dollar in a Chinese-language bookstore in Flushing.

Ground-breaking Beijing art/punk rocker Cuī Jiàn has been recording since the mid-1980s. Considered the father of Chinese rock (he was the first mainlander to adapt Western-style pop), he actually started out with the Beijing Philharmonic Orchestra when he was 14 years old. His song "Nothing to My Name" became an anthem during the Tiananmen Square protests, despite his own protest that it was merely a love song--nothing more, nothing less.

His music is at times funky, experimental, slightly off-kilter--sort of like James Chance & The Contortions x Sonic Youth, though I don't think I've heard anything quite like at least some of the tracks on this CD. As the title would suggest (and yes, it means *those* balls), he often mocked China's communist past (and present), ultimately getting himself banned from airplay and major public performances until 2005. Recorded in 1994, "Balls under the Red Flag" is considered by many to be his masterpiece, one of, if not the greatest rock records ever recorded in China.

It's not out of the realm of possibility that he's single-handedly responsible for the current Beijing punk movement.

Read a long, detailed article on Cuī Jiàn here.

Read an interview with him here.

Great live version of "The Village Attacks the City" (song begins 2:10 into video):

Dolphin | K.A.M.A.-3

Listen to a track from this CD

Get it all here.

Found today in St. Petersburg Book Store on Brighton Beach Avenue in Brooklyn. A rather fabulous low-fi alt-rock band with minimal vocals and lots of chunky screechy guitar above a wobbling bass and chippy trap set. Sounds live, and may well be so.

The following bit of Joy Division-y goodness, however, is all studio, and well worth a watch:

Mix CD of Asian Rock + Hip Hop 2000-2010

Get the mix CD, including 38 rockin' tracks, here.

While hanging out with friends in Brooklyn last weekend, someone began to mourn the demise of rock. I countered that rock wasn't dead; it just moved east. I promised to make my friend a mix CD of some of the best rock and hip hop recorded in Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand, Cambodia, etc., with a few tracks recorded in the U.S. thrown in for good measure. This is that CD.

Enjoy!

Tan Sri P. Ramlee & Saloma | Film Hits

Five fabulous songs

Download the first CD of this 2-CD set here.

Found in the "World Music" section at Tower Records in Shibuya, Tokyo. An import from Malaysia.

Actor, singer, comedian, songwriter, screenwriter and film director P. Ramlee died early, at the age of 44, but had by then written, sung and/or played on nearly 400 songs. I know almost next to nothing about him, other than he is considered one of the icons of Malaysian cinema. I also know that his music totally, totally rocks.

Dedicated to twist-lover Brandon Downing, who was just interviewed about his great new book, Lake Antiquity, at Bomb, and another flarf peop, Chris Funkhouser, who lived in Malaysia for--well, I'm not sure how long he lived there.


Bunyi Guitar

Cherry Boom, Goody Goody

Download the 4 songs on the playlist in one zip file here.

"In the beginning, it is always downy, chewy and dressed warmly."

These are the first (of admittedly few) English words in the booklet that came with this uneven, but fabulous-in-places CD that I picked up after work this evening at P Tune & Video Co on Chrystie Street.

I know as much, or less, than you about this band. I do know that the CD was released decades after The Runaways' "Cherry Bomb" and at least three years before The Runaways/Joan Jett movie.

But, what do you think? Is this Taiwanese all-girl rock band a conscious nod or knock-off ... or flukey kowinkidink?

All I know is that the first song, "Guai Guai," or "Goody Goody," is some of the most amazing power pop I've heard since, well, since power pop. According to this, "Goody Goody" is their second of two CDs. I'll definitely be keeping an eye out for their maiden launch.

Cambodian Rock

Download CD here. (The first song starts out a bit muddy but clears up by the first 30 seconds or so.)

A summer or two ago, Nada and I flew out to Portland, Oregon, to visit family and friends in Oregon and California.

While staying with our friends Rodney Koeneke, Leslie Poirier and their son, Auden, I did a bit of Googling around to find a few comic book shops. I'd heard that Portland was something of a Mecca for indy and self-published things and, sure enough, stumbled upon Guapo Comics & Coffee (6350 SE Foster Road). Being a cafe, in addition to a comic book store, they were open bright and early (it was barely 9:00 a.m.). I mapped out my trip and was soon on a bus rumbling down Foster.

As we began to roll through a series of strip clubs and other seedy offerings, I spotted a rather large store with a sign reading THAI CAM VIDEO.



I pulled the "Please God Stop The Bus" cord and slipped out at the next stop, smiling at a young woman making her way into the strip club where, presumably, she worked.

When I entered the store, the (presumable) owner of Thai Cam Video (5230 SE Foster Road, 503-788-0967) greeted me and watched as I made my way over to the wall of CDs. "You like Cambodian music?" she asked. Here we go again, I thought. "Do you speak Cambodian?"

I gave my standard spiel about how "I am the kind of dork who goes waaay out of his way whenever possible to find 'obscure' little markets just like yours selling delights from around the world of a musical nature."

"Have you been to Cambodia?" she asked. It seemed she really wanted some other explanation.

"No," I said, "but I am going soon," I lied. (I'm going to Japan.)

After picking up a number of items, mostly things recorded on the Thailand-Cambodia border, I asked the shop keep if she had anything older, "say, from the 60s or 70s?"

She nodded and went to the CD wall, pulling down three things.

When I got back to Rodney, Leslie and Auden's place, Rodney and I popped one of the CDs into their ghetto blaster. It didn't work. (We later discovered it was a DVD or VCD.) The second CD did work and we walked out to sit on the porch as the amazing Cambodian music you'll hear on that playlist above filled the crisp late spring Portland air.

More than anyone I can think of, this whole blog has been inspired by, and is hereby dedicated to, the Koeneke-Poirier family.