roberto firpo - palo santo la maleva 1922 DL
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For a contemporary cinematic experience as visceral and visually arresting as Breaking Bad, audiences must look abroad, to Gaspar Noé’s Enter the Void, or further, to films coming out of Thailand, Japan, and South Korea. ... Vince Gilligan’s series puts U.S. cinema to shame, not just in terms of story, but in its execution: The direction, the dialogue, the acting, and—as is evident from the video essay above—the cinematography are, quite simply, of a higher order of intelligence. An intelligence that is extremely, at times obsessively, self-aware.